This is a welcome return for a band that
made a huge impact on me with their Five Suns album in 2004. Their music was
raw, unapologetically bombastic and disturbing. Having been primed by exposure
to Univers Zero, Present, and Godspeed You! Black Emperor, the British
instrumental trio aligned with what I was seeking at the time. Guapo’s next two
albums completed a loose trilogy, and although each of them was superb in their
own right, after the final album, Elixirs, came out I thought I could hear the
band’s constitution beginning to fray. They’d been reduced to two core
members, and the album sounded like a band searching for direction. It’s still
a fascinating listen—I heard it in a record store last summer and
was reminded how good it actually was.
This is a short but nevertheless eventful and
satisfying album. The band’s current lineup, which includes new keyboardist Emmett
Elvin and has guitarist Kavus Torabi taking a more prominent role, easily maintains that dark Guapo power. At 26
minutes, opening track “The Pilman Radiant” dwarfs its successors. One of its
most outstanding qualities is that it doesn’t feel that long. It has remarkable
time-compressing qualities, maybe because it achieves a dreamlike state at
several points, beginning with an extended orchestrated drone, then moving
along to a somewhat macabre groove halfway through, where the
swirling mix of instruments contributes to the hall of mirrors effect. Even at
its most raucous, the song has an elegant flow that helps insinuate itself into
the subconscious. “Complex #7” is the creepy comedown, a collection of drips
and scrapes against a background hum. “Tremors From the Future” releases the tension with its shimmering pulsations and celebratory guitar slashes. You’re
never quite sure which tangent it’s going to follow. The pace never slackens,
though, as it shifts from thing to thing and drives towards a frenzied peak.
But that’s not all! The band and Cuneiform
Records have teamed up to add a companion DVD to this handsome set. Featuring
two tracks, it’s definitely a treat for fans who haven’t a hope of seeing them
live. The rendition of “Five Suns” from NEARfest 2006 is pretty amazing. It’s a
multi-camera shoot presented in beautiful B&W that captures this eerie epic
perfectly. I won’t spoil everything that happens during the song; suffice to
say that Guapo are a band that cares how they present themselves on stage, and knows how to create a memorable experience for the audience. “King Lindorm” is a
simple one-camera colour presentation from Rock In Opposition 2007 that again
emphasises what a powerful live act they are.
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