
24. Makajodama—s/t (Laser’s Edge) The archetypal “stunning debut” from this Swedish instrumental outfit that bridges Canterbury and Krautrock and post-rock (an increasingly useless label that I’m beginning to despise), creating a tasteful-yet-rambunctious sound that time travels somewhere between 1969 and 2009.

23. Clutch—Strange Cousins from the West (Weathermaker) After releasing a raft of killer albums last decade, Clutch were rewarded by having their record company go tits up. Clutch still have a full tank of gas, though. They dropped the keyboards that threatened to turn them into a jam band, especially in a live setting. Strange Cousins... is back to basics while still honing that heavy blues style they’ve pursued since Blast Tyrant. “50,000 Unstoppable Watts” should find a place in the set list from here on in.

22. Kylesa—Static Tensions (Prosthetic) Warpig had a number called “Melody With Balls,” which is a daft title (hey, it was 1970), but the phrase sums up the last Kylesa album very well. Review here.

21. Upsilon Acrux—Radian Futura (Cuneiform) I remember seeing (probably in a mid-70s vintage World Book “Science Year” volume) a picture of a web spun by a spider on LSD. That’s how I visualize Upsilon Acrux songs...at first. After many listens all the micro-sections start to flow together into a logical whole. It’s still pretty twisted logic, mind you, and I’m sure Radian Futura, with its half-hour centrepiece "Transparent Seas (Radio Edit)," will always be a challenging listen. Someday I’d like to figure it all out, but right now I treasure my job, my 6 to 7 hours of nightly sleep, eating, and being married.

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